Saturday Summary 2025-07-12: Books Read, Books Bought, Books Up Next

A hot week for the UK at least, with temperatures hitting 31C/87F. Time to find a cool place, read and tell myself that this is all the exercise that’s sensible at the moment. A couple of pre-orders arrived in my library this week and I have some great reads comig up, so all is well.

Anyway, here’s what’s been happening this week and what’s up next.


This was another genre reading week. I read a Climate Fiction novella, an Urban Fantasy excursion to Aberdeen, a ‘cosy’ romance fantasy set against a Lovecraftian horrorscape, a timeslip horror novella from the 90s and serial killer comedy set in suburban England. The first three were really good The other, not so much.

Saturation Point‘ (2025) is a tense, intelligent Climate Fiction thriller, made more intense by being delivered as a first-person narrative at novella length. I liked that, in this version of a climate change apocalypse, it’s only the mammals whose survival is threatened. Other species are thriving. This is a compelling mystery, told in a hostile setting by a narrator with an agenda under threat from the unexpected. I recommend the audiobook. Emma Newman’s performance did a lot to increase my engagement with the story. 

Stone & Sky‘(2025) was an above-average offering in the Rivers Of London series. I liked that Peter and his entire family, plus Nightingale all travel up to Aberdeen to deal with some fresh challenges. Better still, about half the chapters are from Abigail’s point of view. The plot was twisty enough to keep me engaged (although there were a couple of threads still hanging at the end. The humour worked. I particularly enjoyed seeing Beverley and Abigail at the centre of the action and seeing Peter having to think through his attitude to risk now that he’s a husband and father.

I don’t normally enjoy romance novels, especially when the plot has a heavy dose of insta-love in it. BUT, this is a Tanya Huff romance, so exceptions have to be made. ‘Direct Descendant‘ (2025) kept me smiling even though bits of the book would normally qualify it as a horror novel. We have THE DARK, hellhounds, flocks of lethally carnivorous shadows, revenants, a horde of eldritch horrors, a lake where anyone who swims past the bouyes gets eaten and an evil plot to release Hell on Earth. One of our may-be-fated-to-be-together-or-may-be-torn-apart lovers at the centre of the romance is THE VOICE OF THE DARK. That’s not a normal role for a romantic lead. It doesn’t automatically place her on the side of the angels and it does require her to lie to the woman she’s falling for. This was a lot of fun. It works as a standalone but I’d be happy to go back to Lake Argen if Tanya Huff wants to take this further. 

Strange Highways‘ (1995) is the audiobook version of the titular story from Dean Koontz’s short story collection. It was engaging enough that I listened to it to the end but it was disappointing. It has a great premise with some very scary moments and an intensely dramatic setting. Sadly, the premise got buried under a landslide of ideas from a Hallmark version of Catholicism that swept it towards a so-sweet-it-makes-my-teeth-hurt Happy Ever After ending and the writing felt clumsy.

My review is HERE

My Wife The Serial Killer’ (202) didn’t work for me. It was trying too hard from the start. The humour felt forced. The biggest problem was that I didn’t believe in either of the main characters. Gareth Donoghue seemed too insecure, too eager to please and too clueless to have reached the rank of Detective Sergeant. I couldn’t get inside his wife’s head even though most of her chapters were in the form of an interior monologue. I didn’t like either of them. I didn’t care what happened to either of them. The novel would probably make a good TV series but, as a novel, it lacks that spark that lights up my imagination.


I only added two books this week. Both of them are rolls of the dice for me but both come highly recommended.

I enjoyed Mira Grant’s killer mermaids novel, ‘Into The Drowning Deep‘ (2017) and her SciFi Horror novella ‘Final Girls (2017). ‘Overgrowth’ (2025) is the first thing I’ve seen from her in a while that’s caught my interest. The premise is strange but intriguing. The reviews are favourable and I like the narrator so I have high hopes of this one.

I’ve been aware of Karin Slaughter’s many books for decades now but I’ve never read one. I’m trying this one because I like the small town setting and because it seems to be the start of a new series for her. .


I have two books that I’m excited about planned for next week: an Agatha Christies stand alone novel that Christie thought was one of her best and the just-released tenth novel in the Rivers of London series.

I stumbled across ‘Welcome To Cottonwood‘ (2025) on Twitter (yeah, I know the new owner changed the name but…). I liked the cover and the idea of retired spies being sent to a small town in East Texas to keep them quiet. It reminded me of ‘The Prisoner‘, a TV series that ten-year-old me watched avidly back in 1967. I tried a sample and liked that the storytelling is spiked with humour and that the story seems very American – no cute Cornish village where the men wear numbered black blazers with a white trim and everyone drives a Mini Moke, for these American spies. They get a small town in the woods with a rundown motel. I’m looking forward to this one.

I read the first two books in this series, ‘An Accidental Death‘ and ‘But For The Grace‘ in 2019. I’ve been meaning to get to the third book ever since. I’ve been prompted to pull it off my TBR because I have a copy otherwise audiobook via AudiblePlus and Audible are taking it away again on 22nd July. That’s one of the reasons why I rarely use AudiblePlus anymore. Anyway, I’m keen to see how DC Smith handles himself out on an North Sea oil platform.

Leave a comment