Saturday Summary 2025-08-02: Books Read, Books Bought, Books Up Next

I’ve been distracted this week. I’m going to blame disrupted sleep caused by high humidity but I think there’s also an underlying restlessness that I’m going to have to deal with.

This was a week with more book buying than book reading, and more books started than finished. The reading I managed to do was very rewarding but I just don’t seem to have the focus to read (or write) as much as I’d like to

Anyway, here’s what’s been happening this week and what’s up next.


This week, I’ve read two startlingly good books, both thrillers, both original, compelling and well-written. One has just been published, the other was published in 1967. The third book was a sort of palette cleanser, two short stories from a fantasy world that I always enjoy visiting. 

I hadn’t expected ‘Not Quite Dead Yet’ (2025) to be such a powerfully emotional book. I’d thought that it would be plot/puzzle focused with a gimmick of ‘see how clever I was to solve my own murder?’ At first, that’s what it seemed to be, but that was mostly a story the Jet was telling herself to keep her imminent death from feeling real. 

There is a clever plot, with lots of secrets to uncover and suspects to investigate, but, for me, the most remarkable part of the book was watching Jet come to understand all that she was going to lose when she died. In the few intense days she spends investigating her murder, she finally starts to embrace her life. 

What prevented this from being saccharine was that Jet wasn’t a particularly nice person. She was clever, was often funny was loved by some of the people around her. She was also unconscious of her own privilege, careless of the emotions of others and driven so much by a concept of what she thought her life ought to be that she paid little attention to what it actually was. 

This is a deeply sad book, filled with tragedy, waste, guilt, selfishness and anger. It’s not a story you can hold at arm’s length. 

‘Hazards Of The Establishment’ (2025) contains two short stories that Kim Watt gave away free to her readers. Both stories are set in The Blighted Basilisk, the pub in the Folk version of York, that I read about in the latest DI Adams book, A Right Shambles In York‘ (2025). I had fun with both stories, partly for their content and partly because they felt like a Backstage Pass to Kim Watt’s imagination. It seemed to me that these are the sort of pieces a writer writes when they want to imagine their world and their characters in more depth, free from the burden of a novel-length plot. If you’re a fan, like me, these stories are a delight. 

GoodReads provided these snippets of information about ‘Endless Night
The title Endless Night was taken from William Blake’s Auguries of Innocence and describes Christie’s favourite theme in the novel: a “twisted” character, who always chooses evil over good.
Christie finished Endless Night in six weeks, as opposed to the three-four months that most of her other novels took. Despite being in her seventies while writing it, she told an interviewer that being Michael, the twenty-something narrator, “wasn’t difficult. After all, you hear people like him talking all the time.”
The book is dedicated to Christie’s relative “Nora Prichard from whom I first heard the legend of Gipsy’s Acre.” Gipsy’s Acre was a field on the Welsh moors.

I’m still thinking about how to review ‘Endless Night‘ without including spoilers. For now, I’ll just say that I think it’s one of Christie’s best books. It was original, modern and surprising. In a blind test, I wouldn’t have guessed this was Christie’s work (except for how twisty the plot is). It felt more like something written by Patricia Highsmith. It was a really good read. That Christie could, in her seventies, write such a compelling story entirely as a first-person account by a twenty-something Englishman is a mark of her skill.


This week, I bought six books, twice as many as I read. I started to rationalise this by reminding myself that I got four of the books in Audible’s ‘two books for one credit’ sales. Then I decided I didn’t need to rationalise anything. I bought the books because they appealed to me and I’m looking forward to reading them one day. In the meantime, I’m just glad they’re there. They’re a mixed bag of books in terms of genre. Five of the six authors are new to me. Two of them are humorous. One is historical fiction, with claims to being Literature. One is an End Of The World As We Know It piece of speculative fiction. One is a Canadian crime novel  and one is a just published horror novel. I’ve tagged the last three as books I might read for Halloween Bingo.

The Essex Serpent‘ (2016) made a huge splash when it was published. Initially a word-of-mouth hit, it went on to win the British Book Awards for 2016 Book of the Year and Waterstones Book of the Year 2016. I had it on my radar for a while, but never got around to it. I picked it up as part of an Audible 2-for-1 sale.

Historical fiction is very hit or miss for me. This one seems to have retained a fan base. It has sold over 350,000 copies, and a TV adaptation starring  Claire Danes and Tom Hiddleston appears to be in production. 

Nat Cassidy is a new author for me. I’ve being seeing good reviews of his horror novels for some time now. I decided to order his latest novel ‘When The Wolf Comes Home‘ (2025) because the premise sounds original and the cover is simply gorgeous. I’m stowing this away to be one of my Halloween Bingo books.

A single line from the publisher sold ‘The Future’ (2023) to me:

*…a handful of friends plot a daring heist to save the world from the tech giants whose greed threatens life as we know it.”

I so wish someone would do that before these narricisitc megalomaniacs succeed in destroying democracy everywhere.

This was in a sale. I liked the title and the cover, so it seemed worth rolling the dice and trying a new author.

I’m picking up Canadian Crime novels by following a blogger who’s summer reading challenge is ‘Murders Across Canada’. For some reason that makes sense only to publishers’ legal teams, it’s not always easy to get digital versions of Canadian books in the UK, but Loreth Anne White’s books are available. She’s originally from South Africa but has lived in Canada for many years. I’m hoping this standalone novel will give me that cold north feel as well as a good thriller. 

I read ‘Grave Reservations’ (2021) a few years ago. It was a fun read but didn’t leave with a strong desire to read the rest of the series. Still, when I saw ‘Flight Risk‘ (2022) was on sale, I thought I’d give the series another try.


Next week, I’m reading a light-hearted book that I added last week and two thrillers that I came across in my local library.

Rod Reynolds is a new author to me. I found his books in my local Public Library and thought I’d give them a try. I love the cover. I hope the prose matches up. He’s a Brit author who sets his crime stories in the US. ‘Black Reed Bay‘ (2021) is the first book in his latest series.


I’m a fan of Kim Watt’s books, especially the DI Adams series. I originally encountered her in ‘Baking Bad‘ (2018), the first Beaufort Scales book. I was a little disappointed in the third Beaufort Scales book, ‘Manor Of Life & Death’, 2020, so I diverted my attention to DI Adams novels that weren’t focused around the Toot Hansel WI or the Cloverly Dragons. I think I’m ready to go back to Toot Hansel now (at least until the next DI Adams book comes out), and ‘Game Of Scones‘ (2020) is next. 

I read my first Tommy and Tuppence thriller. ‘The Secret Adversary‘ in 2020. Published in 1922, it was Christie’s second novel and I was pleased to find it was a thriller with a young couple who put an advert in the paper saying:

Two young adventurers for hire. Willing to do anything, go anywhere. Pay must be good. No unreasonable offer refused.

And found themselves hired by the British Secret Service to commit acts of derring-do to bring down the bad guys. 

I’ve watched Tommy and Tuppence grow up, get married and have children as Christie revisited them. The short stories in ‘Partners In Crime’ (1929) showed me Tommy and Tuppence, six years into their married life, working seamlessly as a team.  ‘N or M‘ (1940) showed me the couple working against suspected Nazi fifth columnists in wartime England while their grown-up children served in the armed forces.

I’m looking forward to visiting them again in ‘By The Pricking Of My Thumbs’ (1968). They’re now forty-six years older than when I first met them, but Tuppence’s need to find out what’s going on and stop bad guys from triumphing seems undiminished. I think this will be a fun read. 

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