Saturday Summary 2026-02-21: Books Read, Books Bought, Books Up Next

It’s been another wet, grey, cold, humid week. Nothing dramatic. Just wearying weather providing the theme music to days disproportionately dominated by the slow grind of administrivia.

Fortunately there were books. Good books. Books I even managed to finish.. When I’ve forgotten this weather, I’ll still remember these books.

Anyway, here’s what I’ve read and bought this week and what’s up next.


This week I finished one extraorcinary novel, two very good novels and a short story that didn’t work for me. My currently distracted state of mind shows up in the fact that I have another five books on the go at the moment and am having trouble settling to them.

This was an astonishingly strong novel. It was so intense that I had to make myself take breaks from it. The sense of gathering darkness, deepening wrongness and oncoming but unknowable tragedy made that very hard to do. 

From the beginning, there is a sense that something is off, that there’s a gap between words and actions. That the most important things are being left unsaid and that there’s a lie behind every smile. The more I searched for the truth in the novel, the more I realised how deeply it was hidden, which, of course, made me hungry to find out not just what was being hidden but why and by whom.

The novel is 275 pages long and structured into three acts. For most of the novel, there are only three characters: Junior and Hen, a married couple who live on a remote farm, and a stranger whose entry into their lives changes everything.

I won’t spoil the novel by revealing the plot except to say that I spent most of the novel in a state of conscious ignorance and anxious anticipation of that ignorance ending. 

The uncertainty in the novel pushed me to think about bigger themes: the nature of identity, the reality of and restrictions on choice, the reciprocity needed to sustain a marriage and whether the interior world of an individual’s experiences is unique or fungible.

I’ve read and enjoyed two of Yudhanjaya Wijerantne’s novels,’The Salvage Crew’ and ’Numbercaste’, so I decided to read this thirty-five-page short story of his. The story is clever, well-written, and packed with interesting ideas. Even so, I did not enjoy it. I was the wrong reader for this. I had no sympathy with the main character or what he set out to do. 

My review is HERE

Firestarter’ (1980), is the second of the twelve Stephen King novels that I’m planning to read for my Stephen King 2026 Reading Challenge. I enjoyed it much more than ‘’Salem’s Lot‘, the first book in the Challenge. It’s a great Speculative Fiction thriller.

The writing is taut, focused and vivid. The story is both unrushed and tense. Stephen King takes the time to make the reader care about the Magee’s rather than rushing on to the spectacular scenes of destruction. His bad guys are both very bad and very plausible. When the destruction does come, it’s biblical and graphic. I was glad that he didn’t end the story there. He took the time to consider consequences, and the ending he came up with made me smile.

Dreadful Company’ (2018) was so much more fun than I’d expected it to be. Vivian Shaw has managed to produce a book in which our heroine is abducted by a murderous vampire coven, led by a deranged, violent egomaniac, that turned out to be a delightful read. 

It’s not that the violence or the threat was absent or poorly described, but rather that the people, human and otherwise, living, dead and undead, were engaging, and the plot had strong themes of redemption and compassion without becoming mushy and sentimental.

For me, the book was anchored by Greta Helsing’s pragmatic altruism, unforced empathy and endless curiosity. She’s the only human in the plot. She has no supernatural abilities. Nor is she without fear. She simply deals with what’s in front of her, helps when she can and refuses to give up.

The supernatural cast around her was varied, fascinating and easy to engage with both individually and as a group.

I’m glad that I already have the next book, ‘Grave Importance’ (2019), on my shelves. 


This week, I’ve bought three books from authors that I know and one book by an author heralded as the new voice of Nordic Noir. I have one Urban Fanstasy, one collection of horror novellas and two mysteries.

I was impressed with the third book in this series, ‘Gobbelino London and a Complication of Unicorns’. For me, it was the book where I started to cheer for Gobbelino. I want to keep up the momentum on the series, so I’ve bought the fourth book and I’llbe reading it in March.

Amazon keep sending me ‘We think you’d like to buy this’ notes about the individual novellas in the Trespass Collection but I had to dig a bit to find that, although the five novellas are sold seperately both as ebooks and audiobooks, there is an audiobook compilation that gives me the whole collection for one credit. Given that I’ve read and enjoyed novels by all the contributors to the collection, this was ‘Buy It Now’ offer for me

My wife’s been enjoying Denzil Meyrick’s Christmas-themed Frank Grasby mysteries, so we decided to try one of his recent standalone mysteries.

I saw that Eva Björg Ægisdóttir won the CWA New Blood Dagger in 2022 for ’The Creak On The Stairs’ and decided to wait. Now, her Forbidden Iceland series stands at five books, all of which have been translated into English, so I’ve decided to give ’The Creak On The Stairs’ a try.


Next week is a catch up week for me. I’m not adding any new books to my reading list because I’m already partway through five novels. I’d like to finish at least four of them next weelk. Here’s a short summary of where I am with each of them.

A light, fast-paced humorous piece thatI’ve just started. A work/life balance tale for a new mum returning to her job as an MI6 assassin.

I’m two thirds through this disturbing psychological thriller and I have no idea how it will end. Published in 1957, it’s a Hitchcock movie on a page: dizzyingly unexpected.

I’m one chapter in and already I’m relishing the quality of the writing. It’s effortlessly evocative.

This is my fourth viist to Sheriff Bree Taggert. I think this one will be the make or break for the series. I’m not sure how much more can be squeezed out of Bree’s traumatic past. Still, it’s started well and it’s carrying me a long as a good comfort read should.

This is weird, even for a horror story. I’m loving the COVID Days setting. The prose has a distinctive rythm that takes a little getting used to.

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