‘Tombyards & Butterflies’ (2017) – Montague & Strong Detectivve Agency #1 by Orlando A. Sanchez

This was fun. I can see this Urban Fantasy series becoming a comfort read for me. ‘Tombyards & Butterflies’ released me from the grip of a mini reading slump that had left me unable to engage with the books I’d planned to read, even though I could see that the books were just as good as I’d expected them to be. I knew I needed something fresh, fast, and entertaining to revive my interest. ’Tombyards & Butterflies’ delivered all of that and more. 

Although ‘Tombyards & Butterflies’ is the first book in an Urban Fantasy series that now stands at twenty-nine books, it felt like I was stepping into a well-established series. The story hit the ground running and challenged me to keep up. The opening scene had Montague and Strong chasing a huge werewolf through the streets of Mahatten. I didn’t know who either of them was, what they were capable of or what their relationship to each other was, but I could see that these were folks who’d worked together a long time and who were confident enough in each other’s abilities that they had time for banter even while a rampaging were was trying to rip them apart. The scene pulled me into the action and stirred my curiosity. 

After the werewolf had been dealt with, I expected the pace to slow so that we could have some introspection and some worldbuilding in the way of so many Urban Fantasy stories, but that didn’t happen. The pace didn’t let up. The action was continuous, and the threat level kept rising. Strong and Montague quickly become entangled in plots and subplots that lead to them being the only ones who might stand a chance of saving the world, as long as they do it in the next 48 hours or so. 

Yet the frantic pace of the plot didn’t mean that world-building and character development were neglected. This is a world with a complex history, with gods from every pantheon and with supernatural creatures of just about every kind you can imagine, but there’s no infodumping or lengthy elaboration of magical theory. Instead, I got to discover this world through the eyes of Simon Strong, a man who is much more interested in doing stuff than thinking about stuff. Stone’s not a supernatural. He has no magical abilities. He knows how to fight, and his big mouth means that he pisses off enough vampires, weres, gods and sorcerers to ensure that he has lots of opportunities to practice his fighting skills. One consequence of his big mouth is that he’s been cursed by the goddess Kali and is unable to die, or at least to stay dead. I loved the idea that this was a curse and not a gift.

Strong’s irreverent stubbornness sets the tone for the book. This is a full-fledged Urban Fantasy which shamelessly twists into new shapes almost all the tropes I’ve ever seen, and yet it manages to feel fresh and energetic. There is a lot of humour, but that’s just because Stone can’t help himself. The underlying story is full of very dangerous people doing very violent things. The body count is huge, but it doesn’t descend into tedious, trapped-in-a-video-game fighfest like a John Wick movie. 

Tombyards & Butterflies’ is a complete action/thriller novel in its own right, but the plot also lays the foundation for a series, with Strong and Montague acquiring allies and enemies along the way whom I’m sure I’ll meet regularly in the series. 

I read the whole thing in a day and finished it feeling energised and keen to read more . 


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