Seraphina lives in a world where, for the past forty years, dragons and humans have lived in an uneasy truce, facilitated by the dragons’ ability to take on human form.
Now that truce is under threat by an older generation of dragons that cannot set past wars and enmities aside and are willing to to stir inter-species fear into hatred in order to return to open conflict (Is it just me, or would this cast as dragons Jacob Rees-Mogg, Boris Johnson and the other right-wing English nationalists who want to reject forty years of peace and prosperity in the EU to pursue dreams of Empire and reestablish a feudal England with themselves at the head of the patriarchy? Yeah, that probably is just me).
Seraphina, in her first few months at the human court, finds herself positioned to influence the outcome of this plotting if she places her own future at risk.
This is a light, fast, fun read that satisfies as long as you accept a Young Adult Fiction paradigm. There is a pervasive innocence in worldview across all of the main characters, all of whom are young and none of whom have experienced or cannot really imagine the mundane evil of hate-driven violence and cruelty.
The main players are young enough to be on the edge of creating their own identities. They are all special in their own way. Shame-based secrecy turns Seraphina into a liar, which frustrates her desire to be herself and limits her ability to see who she really is.
The book tackles some interesting themes: the role of emotions (human) and rationality (dragons), the fear of the other, the slowness of change, the apparently transcendental power of love, the role of music in bringing together rational structures to express emotions. Perhaps more daringly, it tackles Seraphina’s own dysmorphia and her acts of self-harm, the potential that comes from mixed races, provided that the mixing isn’t hampered by prejudice and shame and the isolation of being a bastard in a world of inherited power.
It has some interesting ideas about the impact on dragons of having to live in human form, about knowledge as a hoard of treasure that dragons would lust after, maternal transmission of memories and the practice of memory excision to maintain an ordered dragon mind. I loved the sub-species of dragon techno-geeks who make devices for the fun of it.
It does not examine or challenge the society’s use of royalty, rank and privilege but does substitute a matriarchy for patriarchy although it’s really just women behaving like men.
If you accept what the novel sets out to do and put your mind into wishing our heroine well, then this is a fast, fun novel with good plot twists, strong world-building and some original ideas.
I had fun because I was mostly able to do this. My enjoyment was limited by the fact that the naive romance dragged a little for me and asked me to spend attention on it when I’d rather have known more about the effect of music on dragons but that’s a minor niggle.
I read this for the Cryptozoology Square in Halloween Bingo